Hepaglyphic Symbol of Convergence
This piece was an experiment.  Usually I am in a particular advantage, lifted slightly above or somehow separated by the viewer when I do these movement pieces.  This time I arbitrarily introduced my stage.  It had its limitations for sure, but it created a strange but interesting triptych between myself, my photographer and the people that passed on the overpass.       
 
 
 
 
 
Photo courtesy of Monica Oyarzun
